Wednesday, January 29. The Abbey – 100 S. Eola Drive, Suite 100, Orlando FL Show starts at 7:30pm, doors open at 7:00pm $15 in advance, $20 at the door
What happens when six composers from the Central Florida Composers Forum collaborate with six storytellers from the Orlando Weekly “Best of 2019” Orlando Story Club on a predetermined theme? The result is “Joyland,” a one-of-a-kind and first-of-its kind event in Central Florida, produced by the Downtown Arts District. Storytellers will perform compelling personal experiences accompanied by original scores by local composers. The stories and styles are as diverse as our city.
The pairs are as follows: Bobby Wesley with Mark Piszczek; Jesse James with Charlie Griffin; Logan Anderson with Erik Branch; Madeline Potts with Paul Austin Sanders; Daniele Ziss with Alex Burtzos; and Aquanza Cadogan with Holly Cordero.
The storytellers will perform with live music by players drawn from the local Alterity Chamber Orchestra, a group known for its dedication to performing contemporary music at the highest levels: Tina Edelstein, flute; Beatriz Ramirez, oboe; Jessica Speak, clarinet; Kathy Thomas, horn; and Christian Eberle, bassoon.
The Central Florida Composers Forum (CF2) partners with The Cathedral Church of St. Luke for their 27th annual Horns & Pipes Concert. CF2’s very own Jeremy Umlauf will have his Fanfare on a Tetrachord premiered. Come join St. Luke’s renowned orchestra of brass, percussion, and pipe organ in a marvelous acoustic. This is a great way to spend a Sunday afternoon! Admission is free. Donations encouraged. Sunday, January 26, 2020 at 3 PM – 4:30 PM Cathedral Church of St Luke 130 N Magnolia Ave, Orlando, FL 32801
Sunday, October 27 at the Timucua White House 2000 South Summerlin, Orlando, FL 32806. Doors: 7pm. Concert: 7:30. VIP Tickets are $30, other seating by donation.
The Central Florida Composers Forum (CF2) is excited to present its first collaborative event with Emotions Dance. The performance will feature music by local composers Daniel Crozier (Symphony No. 1, Fairytale), Troy Gifford (Milonga Abandonada), Charlie Griffin (Between Islands), ChanJi Kim (Jong; Ta), Christopher Marshall (Hikurangi Sunrise; Transcending), and Bob Walker (Silent Scream; Music on the Water). Bob Walker and Benoit Glazer will perform live.
Emotions Dance is a 501(c)(3) nonprofit organization founded in 2007 by Artistic Director and Choreographer Larissa Humiston. Emotions Dance consists of a professional contemporary dance company that focuses on social and environmental awareness through the art of dance, dance education training at the organization’s state of the art dance studio, and programs that enrich the local community. The organization emphasizes strong technical training and education combined with passionate artistry. Through inspiring performances, arts-education programs, and active community outreach the company touches thousands of people of all ages, races, and economic backgrounds.
Central Florida Composers Forum is proud to support a concert featuring music by one of Orlando’s musical treasures, Mark Piszczek, performed by some of Orlando’s best musicians: flutist Nora Lee Garcia, pianist Richard Drexler, and Alterity Chamber Orchestra founders Beatriz Ramirez-Belt and Natalie Grata, along with other members of Alterity.
Sunday, October 12 at the Timucua White House 2000 South Summerlin, Orlando, FL 32806. Doors: 2pm. Concert: 2:30pm.
“This concert features four world premieres! The compositions include a trio, quartet, two quintets and a sonata for flute and piano. It’s a sort of musical travelogue depicting many of the beautiful and historic locations that I was privileged to call home over the last twenty five years, including Seattle, Southwest Wisconsin, Maine, Peterborough NH, Columbus OH Winston Salem NC and Winter Park FL. Two of these compositions includes movements dedicated to the late, Sam Rivers and composer Elliott Schwartz who was a dear friend and mentor.” – Mark Piszczek
ORLANDO, FL – In partnership with Florida Symphony Youth Orchestras (FSYO), the Central Florida Composers Forum invited current members to apply for one of five composer residencies with ensembles within the FSYO organization. Residencies will take place during FSYOs 63rd concert season with the unifying theme for all residences being PULSE. Each composer was left to interpret that theme in any meaningful and appropriate way.
Overture Strings will premiere a commissioned piece by composer Ryan McQuinn during the POPs in the Garden concert on Sunday, February 9, 2020, at The Grove at Mead Botanical Garden. “My piece for the young children in Overture Strings embraces unity while celebrating diversity,” says McQuinn. “It’s wonderful to witness the youngest musicians learning to walk. I hope that my piece helps them feel more sure-footed and inspires confidence that bolsters their journey.”
The Prelude Orchestra will premiere a commissioned piece by Timothy Stulman during the Spring Classics concert on Sunday, March 8, 2020 at Edgewater High School. “It’s an honor to have the chance to work with such talented young musicians,” says Stulman. “Young players are often times even more creative and receptive than seasoned professionals, since the world is newer for them.” Also premiering a piece during the Spring Classics alongside the Philharmonia Orchestra is composer Alex Burtzos. Burtzos notes, “My piece for the Philharmonia Orchestra addresses the word PULSE according to its musical, biological, and historical meanings; it’s an emotional work that will demand a virtuosic response from these talented young performers.”
The Jazz 1 Orchestra will premiere a commissioned piece by composer Scott Dickinson during the Jazz at Blue Bamboo concert on Sunday, April 19, 2020 at Blue Bamboo Center for the Arts. “I’m thrilled to get the chance to compose for the gifted young musicians that comprise the FSYO Jazz Orchestra,” says Dicksinon. “There are few experiences that can invigorate a future composer like performing a new piece written specifically for you! I’ll be creating a piece that’s both tailored to the strengths of the musicians, and also inspired by our shared theme of PULSE.”
The Symphonic Orchestra, led by Music Director Hanrich Claassen, will premiere a commissioned piece by composer Brandon Martin during FSYO’s 63rd Season Finale concert on Sunday, May 3, 2020 at Calvary Orlando. “I seek to write a piece that addresses the Pulse Shooting: not only exploring the grief and sadness in its aftermath, but also the healing, the affirmation of self, and the celebration of being alive,” says Martin. “I am excited to work with an organization such as FSYO that is passionate about educating the next generation of musicians.”
Tickets for each of the concerts may be purchased online at www.fsyo.org with special pricing for children, student, senior, and military. Florida academic and private teachers receive free admission to all FSYO season subscription concerts with proof of I.D.
About the Composers:
Ryan McQuinn – Ryan has worked on various video games and podcasts such as Interstellar Space: Genesis, Lotia, Dungeons & Doritos, Call of Cthulu Mystery Program, Liberty: Vigilance, and Dark Dice. He is currently creating sfx for Axe Cop, scoring and doing sound design for the Lightning Dogs short film, and writing orchestral versions of Johnny Cash music for Cash & Friends.
Timothy Stulmam – Timothy has received numerous honors and awards at both national and international levels. As the winner of the First Music Commission, he was commissioned to compose an orchestral piece for the New York Youth Symphony that was premiered in Carnegie Hall on March 7, 2010. His music has been selected for performance by the Cleveland Chamber Symphony, Toledo Youth Orchestra, the International Tribuna Sax-Ensemble in Madrid, and the BGSU Philharmonia. He was a featured composer at University of Central Missouri’s New Music Festival, Electronic Music Midwest, the 1st Annual Huntsville New Music Festival, and Juventas New Music Ensemble’s Murmurs from Limbo concert series.
Alex Burtzos – Alex is an American composer and conductor based in New York City and Orlando, FL. His work has been performed across four continents, and released on New Amsterdam and Sono Luminus record labels. Alex has collaborated with some of the world’s foremost contemporary musicians and ensembles, including JACK Quartet, Yarn/Wire, Contemporaneous, ETHEL, loadbang, Jenny Lin, RighteousGIRLS, and many others. He is the founder and artistic director of ICEBERG New Music, a New York-based composers’ collective, and the conductor of the hip-hop/classical chamber orchestra ShoutHouse.
Scott Dickinson – Scott has won multiple awards for big band arrangement and professional and collegiate jazz ensembles across the country have played his compositions and arrangements. He was recognized as the honorable mention in the Doc Severinsen International Orchestral Composition Contest. He has been commissioned to write for jazz ensembles, choir, and orchestra. Scott is the Course Director for Musical Arrangement in the Music Production Department at Full Sail University and is a member of the Dr. Phillips Jazz Orchestra.
Brandon Martin – Brandon is a performer/vocalist, choral clinician/conductor, composer, and former music educator. He currently sings with The Voices of Liberty at Walt Disney World Resort. He also sings with the Tampa Spiritual Ensemble and serves on the Board of Directors for the Orlando Gay Chorus. He was commissioned by the Association of Anglican Musicians for their 2015 Annual Conference, and has written orchestrations for St. Pete Opera.
About FSYO:Florida Symphony Youth Orchestras exists to encourage children and young adults, through the practice and performance of orchestral music, to become passionate leaders, thinkers, and contributors in their local community and beyond. In its 63rd Concert Season. Today, FSYO serves almost 300 students and is comprised of seven ensembles – three symphony orchestras, one string-training orchestra, a chamber orchestra, two jazz orchestras – and two supplementary programs – Stringmania Summer Camp and Sing-Song, String-Along.
FSYO programs are carefully structured to encourage student growth with FSYO throughout their primary and secondary years. Florida Symphony Youth Orchestras full range of ensembles gives each student a place to excel with peers at a similar level, and an opportunity to collaborate with seasoned music professionals on local, national, and international levels. During summers, Symphonic Orchestra students participate in life-changing experiences of organized tours, alternating between international & national travel every other year.
Programs are sponsored in part by the Florida Department of State, Division of Cultural Affairs; the Florida Council on Arts and Culture; Orlando Utilities Commission; The City of Orlando, Mayor’s Matching Grant; and United Arts of Central Florida. We thank these groups for their generous support.
Central Florida Composers Forum – 7th Annual Composers DIY Salon Concert Sunday, September 29 at the Timucua White House 2000 South Summerlin, Orlando, FL 32806. Doors: 7pm. Concert: 7:30. VIP Tickets are $30, other seating by donation.
For seven years, Central Florida Composers Forum (CF2) has been offering its members a first-come, first-on, get-er-done yerself opportunity to present work to the Orlando/Central Florida public. The composers themselves perform or arrange for the performers. That always means a wider variety of sonic possibilities than a more typical, curated CF2 concert featuring a unified instrumentation.
This program features Rebekah Todia’s Crossing The Bar, for piano and voice; Melody Cook’s For Two Voices, No. 2, for clarinet and piano; Holly Cordero’s Personified Bliss, for string quartet, Bob Jr.’s Conjure the Storm, for piano, guitar, bass, and drums; Paul Austin Sanders’ electronic compositions Danze Africanne, Spirit of the East, and Bop Latinesque; ChanJi Kim’s Imaginary Lines for clarinet and audio; and premieres of Alex Burtzos’ X Codes, for violin, clarinet, and piano, and also his Perforation, for solo piano.
Venus & the Radio Thursday, August 8 at the Timucua White House 2000 South Summerlin, Orlando, FL 32806. Doors: 7pm. Concert: 7:30. Tickets are $10.
While Orlando has begun to
gain recognition for its arts community, not much has been said about the lines
and boundaries drawn between artistic disciplines. When it comes to music and
literature, The Central Florida Composers Forum, in collaboration with local
literary publisher Burrow Press, aim to blur those boundaries and inspire
future collaborations with their upcoming event, “Venus & the Radio.”
This one-of-a-kind event will feature two
prominent Florida authors reading excerpts from their newest books (published
by Burrow Press) in collaboration with four Orlando-based members of the Central
Florida Composers Forum.
Orlando Poet Laureate Susan Lilley will perform Florida-inspired work from her collection Venus in Retrograde with accompaniment from composers Mark Piszczek and Timothy Stulman. Piszczek’s interactive approach will incorporate Lilley reading live with Piszczek on soprano saxophone and pre-recorded audio electronically manipulated by sound artist Jared Silvia. Stulman will do real-time audio processing of Lilley’s performance, combined with a pre-recorded audioscape.
Shane Hinton will perform excerpts from Radio Dark, a surreal post-apocalyptic novel set in Florida. Composers Holly Cordero and Charlie Griffin will provide an underscore in the manner of classic radio plays.
“This event is a great opportunity to not only illustrate the variety of talent in Orlando,” says Burrow Press publisher Ryan Rivas, “but also to acknowledge that art isn’t created in a vacuum. And especially to show how one art form can and does inspire others.”
A Q&A and book signing will follow the performance.
In partnership with Florida Symphony Youth Orchestras (FSYO), Central Florida Composers Forum invites current composer members (if you would like to join CF2, please indicate so at the end of the form you will fill out, linked below) to apply for one of five possible composer residencies with ensembles within the FSYO organization.
Residencies will take place during 2019-2020 concert season. Composers may apply for more than one residency, but will not be granted more than one. Each applicant composer agrees to at least three interactions with their ensemble (two preliminary sessions and one rehearsal) in addition to attending the premiere of the work they write. Rehearsals take place on Sundays, starting August 18th. Each composer will receive a small stipend for their residency, and each residency will have its own timeline.
The unifying theme for all the residencies is PULSE. We leave it to the composer to interpret that theme in any meaningful and appropriate way (musically, biologically, culturally, etc.).
1. Symphonic Orchestra – (A new work 9-12+ minutes duration) $500 stipend. Season Finale Concert premiere on May 3rd, 2020; final parts and score deadline March 11th. This is their premiere orchestra. They play difficult music at a high level.
2. Philharmonia Orchestra – (A new work 4-10+ minutes duration) $500 stipend. Spring Concert premiere on March 8th, 2020; final parts and score deadline January 8th. This group is comprised of younger, less experienced players than the Symphonic Orchestra, but is still capable of rendering complex repertoire.
3. Jazz 1 Orchestra (17-20 players) – (A new work 4-6+ minutes duration) $500 stipend. Premiere TBD. Highly capable jazz band.
4. Prelude Orchestra – (A new work 4-6 minutes duration) $400 stipend. Spring Concert premiere on March 8th, 2020; final parts and score deadline January 8th. This is a beginner full orchestra (light on brass) that typically plays early classical repertoire, for example.
5. Overture Strings – (A new work 3-4 minutes duration) $300 stipend. Season Opener Concert premiere on October 20th, 2019; final parts and score deadline September 13th. This is their entry level string group. Think of Suzuki book 2. You may consider a story telling component or involving one or two professional level adult musicians.
The entire application can be accomplished by following this link.
There, you will be asked the following questions:
Which ensemble are you applying to work with (First, Second, Third Choice)?
What does the residency ideally look like to you, and what role will you as the composer ideally play? If you have more than one choice for ensemble, would your answer change for each ensemble? If so, how?
How do you envision incorporating the theme of PULSE into the residency? If you have more than one choice for ensemble, would your answer change for each ensemble? If so, how?
If you envision involving a third-party local artist or organization, who would it be and why? (leave blank if N/A)
You will also be asked to supply a single MP3 (can be excerpts, up to 10MB*), a single PDF of a score sample, and a 100-200 word biography.
The deadline for the application to be submitted is June 30, 2019.
Internationally noted classical guitarist Robert Phillips will be giving a concert of new music at the Timucua Arts Foundation White House on May 17 at 7:30 PM. The centerpiece of the concert will be a set of six dances written for Robert by Central Florida based composers. Those composers include Jorge Morel, CF2 members Benoit Glazer, Charles Griffin, and Troy Gifford, as well as Howard Buss, and Rex Willis. In addition, Phillips will play a set of Nocturnes composed for him by British composer John W. Powell.
Phillips recently recorded the pieces that comprise this program. The works are in dance rhythms ranging from waltzes to rumbas and incorporating elements of Afro-Cuban music, Flamenco, and Brazilian dance rhythms. They are to be performed as a set along with a prelude by Robert under the title of The Orange Blossom Dances. These important new works will be released by MSR Classics.
Robert has brought his brilliant interpretations to a diverse range of venues – from traditional concert halls including New York’s prestigious Town Hall, and Lincoln Center to jazz nightclubs. His performance at Weill Recital Hall at Carnegie Hall was sold out. In addition to the standard repertory, Robert performs his own compositions, and has premiered works by three-time Pulitzer nominee, Frank Brazinski, Eric Ross, Alfred Giusto, and Meyer Kupferman, as well as a concerto written for him by three-time Grammy winner, Michael Colina. The works by Kupferman and Colina were written for him.
Robert’s recordings include Guitarre Nouveau on TPL records and Lo Mestre, the Music of Miguel Llobet on Centaur records, as well as his self-re-released two volume set, Great Themes and Variations for Classic Guitar (originally released by Mel Bay as a companion to his anthology.) Robert also recently recorded several Spanish songs with Chinese coloratura soprano Shudong Braamse on her Global Music Awards Gold Medal winning album, Sueños De España (Navona Records).
Robert spent the summer of 2017 in Spain participating as a teacher, ensemble coach, and performer in the Chamber Art Madrid music festival. Phillips performed some of the newly commissioned works at this festival. He will be at the festival again in the summer of 2019. The Timucua Arts Foundation is located at 2000 S Summerlin Ave. Orlando, Florida 32806. The concert begins at 7:30 PM. Tickets are $25 and can be purchased online here.
Central Florida Composers Forum presents “Waterfalls, Forests, Coastlines, and other Musical Dreams,” a concert of works by local composers at Timucua White House, March 31.
Winter Park, Florida – The Central Florida Composers Forum will present “Waterfalls, Forests, Coastlines, and other Musical Dreams,” a showcase concert of selected works scored for Pierrot Ensemble by Full Sail University composer and Central Florida Composers Forum founder and Executive Director Charlie Griffin, University of Central Florida’s recent transplant Alex Burtzos, Orlando-based composers Erik Branch, Damien Simon, and film composer and Cocoa Beach resident Joe Gray.
The term Pierrot Ensemble refers to a specific instrumentation used by Austrian (and later Austrian-American) composer Arnold Schoenberg for his seminal and most famous work, Pierrot Lunaire. Composed in 1912 for voice, flute, clarinet, violin, cello, piano, and percussion, this combination was subsequently taken up by many later composers such as Milton Babbitt, John Cage, and Peter Maxwell Davies.
The musicians featured in this concert will be Julie Bateman (voice), Katie Mess (flute), Erik Cole (clarinet), Pepina Dell’Ollio (violin), Abigail Collins (cello), Ammon Perry Bratt (piano), and Justin Steger (percussion).
A diverse collection of works on the program include Charlie Griffin’s Shifting Coastlines, a trio of songs whose lyrics are taken from an anthology of poetry called Verse and Universe. These songs all draw upon science and math to explore the human experience. One example from the set is “Love’s Discrete Non-linearity,” a poem set like a Gypsy tango that uses the language of Chaos Theory to understand a romantic relationship. Selections from two works by Alex Burtzos will be on the program: The Birth of Dangun, a ballet based on the Korean myth of creation, and The Impossible Object, a multi-movement work inspired by works of M.C. Escher. Four vignettes by Erik Branch will include a premiere of his Brises Dansantes. The concert will be rounded out by Joe Gray’s The Black Forest, and Damien Simon’s Change.
The concert will take place on March 31 at the Timucua White House, 2000 South Summerlin, Orlando, FL 32806. Doors open at 7pm. Concert at 7:30. Tickets are by donation.