Open Scene

Songs from the Hispanic Diaspora II

Sunday, August 24, 2025 | 7:30 PMTimucua Arts Foundation

Join us for an evening of rich language, expressive music, and vibrant cross-cultural collaboration, where poetry and composition meet in a shared celebration of the Hispanic diaspora.

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The Central Florida Composers Forum (CF2) and Open Scene Orlando return to Timucua Arts Foundation for Songs of the Hispanic Diaspora II: a powerful continuation of last season’s collaborative celebration of Latin American poetry and contemporary music, in collaboration with musicians from the Orlando Contemporary Chamber Orchestra (OCCO) and VoxO, and presented by Timucua Arts Foundation and Performing Arts Matter.

This second installment features all newly penned works by local composers setting iconic poems by remarkable poets from Nicaragua, Cuba, Argentina, Peru, and Chile. Featuring texts by Rubén Darío, Gertrudis Gómez de Avellaneda, José Martí, Alfonsina Storni, César Vallejo, Gabriela Mistral, and Vicente Huidobro, the concert pairs expressive new music with readings and cultural commentary, creating a rich, bilingual artistic experience.

Composers:
Troy Gifford · James Hall · Eric Heumann · Gerald Law II · Keith Lay · Mark Piszczek · Paul Austin Sanders · Bob Walker, Jr.

Performers from OCCO, VoxO, and CF2:
Keri Lee Pierson (soprano)
Emily Heumann (mezzo-soprano)
Julia Gessinger (violin)
Hannah Sun (piano)
Troy Gifford (guitar)

Poems will be recited in both Spanish and English by Charlie Griffin (OCCO/CF2) and Thamara Bejarano, with cultural context provided by Bejarano (Open Scene Orlando).

The evening’s program brings to life the words of celebrated Latin American poets, each reimagined in new musical settings by composers from Central Florida. These vivid, contemporary interpretations, featuring combinations of voice, piano, guitar, and violin, create an intimate and expressive tapestry of sound and verse.

NICARAGUA
Rubén Darío’s Sonatina, set by Gerald Law II for mezzo-soprano and guitar, opens the program with a dreamlike portrait of a young princess longing for a life beyond her royal surroundings.

CUBA
Al partir by Gertrudis Gómez de Avellaneda is a poignant farewell to Cuba, filled with longing and sorrow, and is set by James Hall for soprano and piano. Orlando maverick composer Keith Lay offers a bold setting for soprano and piano of José Martí’s iconic Yo soy un hombre sincero, a powerful declaration of honesty, openness, and personal resolve.

ARGENTINA
Alfonsina Storni’s Dulce tortura is a stirring depiction of conflicted desire and emotional complexity. Eric Heumann sets this poem for mezzo-soprano and piano, revealing both its sensuality and its quiet anguish.

PERÚ
In Los Heraldos Negros, César Vallejo gives voice to deep spiritual and existential pain. Paul Austin Sanders’s setting for mezzo-soprano and piano draws out the poem’s dark gravity and unanswered questions of suffering.

CHILE
Gabriela Mistral’s Hallazgo, a lyrical discovery of love, is set by Bob Walker Jr. for soprano, mezzo, and guitar, striving to capture the poem’s brief, luminous intimacy. Two works by Vicente Huidobro close the program: Días y noches te he buscado…, a symbolic search for truth and selfhood, set by Mark Piszczek for mezzo-soprano and piano; and Altazor, Canto I (fragment), an excerpt from Huidobro’s avant-garde masterpiece, set by Troy Gifford for soprano and guitar, evoking themes of flight, dislocation, and transcendence.

CF2 champions the creation and performance of new music by Central Florida composers, while Open Scene fosters artistic exchange across cultures and disciplines, amplifying the voices of Latin America. This shared vision makes Songs of the Hispanic Diaspora II a resonant and meaningful artistic gathering.

By Charlie Griffin, ago

Songs from the Hispanic Diaspora – August 17 @ Timucua Arts Foundation

On Saturday, August 17, 2024, at 7:30 p.m., Timucua Arts Foundation hosts “Songs from the Hispanic Diaspora” — an intimate musical exploration of the resonating experiences of exile, displacement, and the dreamlike impermanence of existence through the poetic lens of the Spanish-speaking world. This powerful concert by the Central Florida Composers Forum (CF2) features six newly commissioned works bringing to life poetry by pillars of Hispanic literature meticulously curated by Thamara Bejarano from Open Scene.

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From Spain, Alex Burtzos sets Pedro Calderón de la Barca’s famed “La vida es sueño” in English, while Rebekah Todia captures Juan Ramón Jiménez’s “Yo no volveré” – both grappling with life’s illusory nature. Colombian poet Eduardo Carranza’s vivid imagery of the dead catalyzes a new work by Nate Chivers. Sorjuanista Sor Juana Inés de la Cruz’s amorous “Amor empieza por desasosiego” inspires Erik Branch’s musical perspectives on love’s ephemeral passions. The sensual longing of Puerto Rican writer Luis Llorens Torres’ poetry fuels Brandon Martin‘s latest work. And Jeremy Umlauf captures the Venezuelan poet Vicente Gerbasi’s mystical ode to nature “Bosque de música.”

Performed by an intimate ensemble of Orlando Contemporary Chamber Orchestra musicians (flute, cello, piano) and singers from the vocal ensemble VoxO, these arresting musical offerings immerse the audience in the nostalgic dreamscapes and metaphysical reckonings born of the diasporic experience. Contextual insights by Open Scene’s Thamara Bejarano intersperse the performances, guiding a transcendent exploration of Hispanic literary and musical consciousness.

This performance represents a 5-way collaboration between Central Florida Composers Forum, Open Scene, Orlando Contemporary Chamber Orchestra, VoxO and the Timucua Arts Foundation. OCCO and VoxO appear under the auspices of Performing Arts Matter. 

By Charlie Griffin, ago